Basic knowledge of ceramic shapes
Source:    Author:springceramic   Publish Time:2010-04-17   Attentions:1   collections:0   Comments:0 Read Times:264
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Ceramic-based design needs to life, designers also need to have the user, the viewer and producers such as the multiple identities, and not discretionary, ceramic shape design, which itself is also affected by many objective conditions and restrictions, such as physical and chemical substances in materials performance, mechanical and thermodynamic Xing Zhi, also forming process and firing process constraints, and it must meet certain practical requirements, Biru uniform accessories, capacity of He Shi, physical Bili's Qiadang, etc., which are considered Jiayi Xu Yao designer of.

Ceramic Sculpture in the first place of the stage, mainly the means of simulated Wan Cheng's, is the formation of the early Shang Wei system Zaoxing activity, but it started the initial shape after all ideas and plans have already Wu Zhi product productive activities and spiritual tightly integrated creative activities together. Emergence of ceramic production model, a driving factor in the following three areas: First, based on current living conditions and lifestyle needs; second time it is inseparable from scientific and technical level and production capacity; again is the people's culture artistic accomplishments of aesthetic interest. This is not only drivers but also constraints. Ceramic Sculpture design principles should be followed, "the economy, for, beautiful," the three elements, that is a function of the effectiveness of ceramic form, material and technical and aesthetic form of the three elements of composition. Utility function which is of paramount importance, which determines the basic form of ceramic form and structure. Ceramic form the material and technical means used by the ceramic materials and process technologies for the purposes. Ceramic Sculpture U.S. should establish effective and easy to soon meet the performance based on production, not from the ceramic shape their own attributes and characteristics, starting from the objective reality of the law, the forms of beauty and function of utility and material and technical integration, which is designed process, the principle should always be followed. Ceramic design, not simply the art design, but includes features on ceramic products, processes and aesthetic aspects of the design elements of a unified whole. Functional utility in the dominant position throughout the design, material and technical guarantee for achieving the design intent, the form of beauty is to make our products look more perfect form, the three aspects of the lack of which is essential. This is the most prominent features of ceramic style.

Ceramic styling design consisting of three elements:

Generally refers to: practical, technical and aesthetic. Ceramic Sculpture basic design rule:

(A) Stability:

(1) center of gravity down, the key is the level of chest and abdomen;

(2) vertical and horizontal balance;

(3) modeling the proportion of plantar surface of the size of the appropriate test method is to look at both ends of parallel lines form the upper shoulder and foot ends of the end of the lower part of the diagonal cross-connect, is greater than one-third. Short form of artifacts due to their own weight fall on the bottom, and thus not subject to the restrictions of this law.

(B) the shape change and unity:

(1) correlation;

(2) strengthening and weakening;

(3) rhythm and cadence.

(C) the shape of the utility:

(1) utility must consider the different objects have different have different uses, subject to different needs;

(2) utility must consider the use of objects of aesthetic requirements and economic conditions;

(3) modeling of the capacity requirement is an important criterion for ceramics for daily use;

(4) agile modeling is one of the requirements and practical.

(D) the scientific nature of ceramic style:

(1) structural changes shape the force to meet the minimum limit (that is, principles of mechanical requirements);

(2) model structure must pay full attention to the plasticity of its mud;

(3) the design model must have the use of raw materials, changes in high-temperature firing;

(4) modeling phase of each component part must be reasonable, simple;

(5) design style must pay attention to use, wash, clean and convenient.

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